Yesterday I started a new story, called (for now) “Put Another Nickel In” and got about a thousand words on the page. The main character finally gave me his a name, Hunch, and I hit my word count goal. It’s a solid day’s work, considering the new habit I aim to build of writing a thousand words per day, every day, following the example of this Ray Bradbury quote:
“I’m accustomed, you see, to getting up every morning, running to the typewriter, and in an hour I’ve created a world. I don’t have to wait for anyone. I don’t have to criticize anyone. It’s done. All I need is an hour, and I’m ahead of everyone. The rest of the day I can goof off. I’ve already done a thousand words this morning; so if I want to have a two or three-hour lunch, I can have it, because I’ve already beat everyone.”
Consistency over quantity. The other way hasn’t seemed to work for me.
At some point in the night, though, I realized that Hunch wasn’t alone. I don’t mean all the monsters he’s tasked with keeping in their enchanted sleep, but as far as a true companion. There was someone else in that chamber of horrors, if I would only listen. Like Hunch and his monsters, though, I went to sleep.
When I got back to the keyboard this morning, I started by cycling back through those first thousand words and trying harder to hear what the story was telling me. Just a few paragraphs in, I found that missing party: Jaw, a talking skull in the corner of the room.
I kept writing, going back through yesterday’s words and continuing on to new story, all while listening more closely, and hearing his voice. He had plenty to say.
In the end, I hit my thousand-word count for a second day, found a new character, and learned more about the world I’m exploring.
I think that’s a fine definition of a successful day.
Bradbury quote taken from his essay “Shooting Haiku in a Barrel”, collected in Zen in the Art of Writing
I’ve spent the last ten years or so wanting to be a writer.
For a small chunk of that, I’ve even written.
It feels like so much wasted time. Why didn’t I write more?
I’m realizing now that a big part of the problem was that, even though I wanted to be a writer, and even sometimes told people that’s what I was, I didn’t actually believe I was one. I simply saw myself as a stay-at-home dad. One that wrote sometimes, sure, but that was a secondary thing, no different than how I dabble in guitar or paint now and then.
Obviously, there’s nothing wrong with being a stay-at-home parent. It was a huge blessing for our family to have a parent home. But, it wasn’t my identity. It was something I did for the benefit of my family, not something I felt called to do for myself.
Being a dad is an amazing and life-long role, of course, but the days of driving them to school and events, days of helping with homework and volunteering for field trips, that all has an expiration date. And who am I after that?
For me, I want to be a writer.
In fact, something I’ve recently noticed is this: no matter what other ideas or interests pop up, they all lead back to writing.
I play guitar because I like writing lyrics.
I paint because I like to illustrate my stories.
It all leads back to writing. Every time.
When I left my last corporate job to stay home with our new baby, I thought I’d take that chance to pursue my oldest childhood dream of becoming a writer. It was our second child, so I wasn’t naive about the free time I’d have or anything like that, but I was naive about being able to flip a mental switch and start a writing habit.
And so, for years and years, my writing habit was anything but. I’d write in bursts of motivation and inspiration, hit a roadblock, and stop for months. I told myself it was because the kids kept me busy, or the housework, or whatever excuse I could think of. Of course, none of those excuses stopped me from wasting hours surfing the web or watching television.
The problem wasn’t my family role. The problem was the way I saw myself. Instead of seeing me, the writer, I saw me, the guy that didn’t have the time for writing.
Lately, finally, I feel I’ve gotten past that roadblock.
For whatever other roles I have in life, when it comes to vocation, I’m a writer. Plain and simple.
That means I write.
Having that identity firmly in mind is the “ultimate form of intrinsic motivation”. Habit expert James Clear says:
“The ultimate form of intrinsic motivation is when a habit becomes part of your identity. It’s one thing to say ‘I’m the type of person who wants this.’ It’s something very different to say ‘I’m the type of person who is this.’”
Identity is key. In fact, In his book The Practice, Seth Godin talks a bit about child prodigies, adding this:
“It’s not important that the kids developed their musical skills when they were eleven. It’s important that they developed the habit of identity. When they looked in the mirror, they saw themselves as musicians, as artists, as people who had committed to a journey.”
It’s the old “fake it ‘til you make it” idea.
If you want to be a writer, be a writer.
If you want to be an artist, be an artist.
You have to see yourself as the you you want to be far before the rest of the world sees it. If you know who you are, you’ll soon find yourself doing the things to make that identity real to the rest of the world as well.
In its highest form, creativity requires reaching deep within and sharing your findings with the world. That kind of sharing, honest and vulnerable, takes a certain measure of confidence to pull off.
When I first began writing, I wrote with a carefree confidence. It wasn’t that I had any notion I was a good writer, but because I had no reason to believe I wasn’t. It was like the confidence of a child, that innocence you have before someone tells you ducks just can’t be blue. I wish we could all hold that confidence for life.
The world would be better for it.
It wasn’t long into my writing journey that I sought feedback on my work. I joined a writer’s group to improve my craft, quickly learning I wasn’t actually a good writer yet. I needed to read this book on craft, and that one, and maybe I should consider a class or two.
My confidence vanished.
Through it all grew an odd paradox. While my first few works had garnered positive feedback from editors, and even an honorable mention in an international competition, my next several stories fell far short.
Worse, I wasn’t enjoying the stories myself. They felt flat and lifeless, and they got the flat and lifeless rejections they deserved. But worst of all, in losing my confidence, I also lost everything that had made those early stories feel like me.
Don’t get me wrong. I definitely needed to improve my craft. Without craft I wouldn’t have the skills needed to take my good stories and make them great.
But without confidence, I was no longer starting from a good story at all. I was starting from uninspired work, and craft alone can’t fix that. Craft isn’t inspiration, it’s the tools to make that inspiration shine. You have to have something to work with first.
I wish I had something more insightful to share here, some moment or epiphany that helped me get that confidence back. I don’t.
But somewhere along the line I realized I didn’t really like my own stories anymore, so it made sense nobody else would. I realized that at least when I was writing those early works I enjoyed them, even if they weren’t quite good enough for publication. And I wasn’t getting published now anyway. I wasn’t even getting more than form rejections anymore.
I needed to get that confidence back.
So I started writing for me again. I stopped thinking about writing a good story, and just wrote a story I liked. I tried to dig deeper within, tried being as much myself as I could be, and while it wasn’t a magic shortcut to publication, it did get me back into a stream of personal and promising feedback from major markets.
Best of all, writing was fun again, and I enjoyed the process and my stories.
This stream of memories came rushing back recently while I was watching Peter Jackson’s Beatles documentary Get Back. There’s a part where George Harrison seems to really be struggling with his playing, or rather, struggling in comparing himself to Eric Clapton. It hit me as a shocking lack of confidence from a guitarist I’d grown up knowing as one of the all-time greats.
Clapton is an amazing guitarist, sure, but this is George Harrison we’re talking about. How in the world was this guy lacking confidence?
Still, somewhere inside, beneath that insecurity, George still had the confidence that his best route forward was being himself. He could only be himself.
“I can only do me, that one way, however I do it.”
And it was in being himself that he was able to create some of his best work.
Creating your best work takes digging deep inside and being vulnerable in revealing what you find there. And that takes confidence.
When I was a kid, like, single-digits kid, I had a neighbor who was both a teenager and the coolest guy I’d ever known to that point in my life. He knew karate. He had a Nintendo. He had a computer. He even had email… in the eighties.
Most importantly, he had boxes upon boxes of beautiful and perfect comic books. He even drew his own and submitted work to Marvel, DC, etc.
And they wrote back!
I wanted to be just like him.
I started drawing more, practicing art, trying to improve. I practiced my storytelling, too. Someday, he would run his own comic company, and when he did, I would work there. That was the plan.
Then he told me the only way to get as good as him was to ignore everything else and draw constantly, even during school. “What about my grades?” I asked him. “You can’t worry about grades if you’re going to get good enough to be a professional artist.”
I was crushed.
I liked earning good grades.
I even liked my teachers.
Enter one of my first secret rules: I would never be good enough at art to make it a career. That secret rule held for about 30 years.
Then I started trying again.
And not by sacrificing everything else important to me, but just by realizing it’s ok to practice just a little every day, to try and improve just a little every day.
I eventually started learning karate, too. Not because of my old neighbor, but because my own kid got involved in a great dojo and I wanted to share that journey.
Our sensei often talks about the concept of “kaizen”: basically, constant (little) improvements that add up to great change.
Now I try to improve a little bit every day, making small sacrifices for time, sure, but not giving up on the most important parts of my life. Will I become a master overnight? Of course not. And honestly, neither did my old neighbor. If he’s the kind of artist I want to be, he’s still out there learning somewhere, still finding the little tweaks in his work to make it even better. He’s still trying to be just a little bit better every day.
I try to practice kaizen now in all areas of my life. The result isn’t flashy. It doesn’t make for a great Instagram post or YouTube video, but it’s there, and it’s building a solid mountain of progress over time.
In the meantime, I just keep trying to be a little better than yesterday, leading to being a good deal better than last month, and miles ahead of last year. I’m slowly building to success—my vision of success—and instead of racing to get there I’m enjoying the ride.
And I can wait to get there.
Life goes by too quickly because we rush it.
I’m going a little at a time now, enjoying myself along the way.
I often forget that water can be a prism, but had a vibrant reminder this morning. I’ve been sick with COVID the last few days (I’m vaccinated, so not worried about it, but some symptoms are still hitting me), and this morning decided to push through and get a shower to see if that got me feeling better.
In the shower I was hit with a bit of dizziness, a combination of the heat and my virus-drained energy I’m sure. During it, though, my attention was grabbed by the water droplets clinging to the shower curtain.
In each, I saw all the colors of refracted white light.
A thousand captured and vibrant rainbows drifted slowly down the curtain as I lost myself in them for a moment, brief, but beautiful.
This experience was no doubt influenced by my current state. Still, it is an excellent reminder of the amazing world all around us, an amazing world ignored in the stress and rush of the usual day-to-day.
Even something as simple as a drop of water has the power to show us a universe of beauty.
I recently finished a story in a whirlwind of subconscious-driven words. It was a blast to write that way, something my logical side loves to suppress.
But suppress isn’t a strong enough word. My logical side crushes the voice of the subconscious, stomps on it until the story falls out flat and lifeless.
This time, however, I managed to just go with it. Fix it when it’s finished, I told myself.
But I didn’t fix anything.
When I started rewriting, I nearly cut a few of the more inspired chunks because they didn’t fit my market-influenced (and misguided) idea of good writing. But, I managed to stop myself. I left those portions. They somehow felt right, like they belonged there. Instead of cutting them, I sent the story off to my editor. I knew full well she’d tell me to make the cuts.
I should have put more trust that my subconscious knew what it was doing.
Not only did she not tell me to make the cuts, she told me to push even further with them. Those subconscious bits that logic tried to force out, those were some of her favorite parts.
For me as a writer, when I try to logic my way through a story, it inevitably falls flat. Hayao Miyazaki has said he removes logic from his approach to storytelling:
“Logic is using the front part of the brain, that’s all. But you can’t make a film with logic. Or if you look at it differently, everybody can make a film with logic. But my way is to not use logic.”
After this experience, I think it’s time to do the same. Logic has its place (though I’m starting to doubt even that), but the drafting stage isn’t it.
After feeling so many of my stories had come out flat recently, I think it’s time for a different approach.
Trust your subconscious. I’ll be trusting mine from now on.
I’ve spent the last several years trying to find the right hustle. I inundated myself with self-help and entrepreneurial books thinking if I found just the right one, just the right list of tips and tricks and…
Nothing of any value ever came of it. Had I chosen one and focused my efforts, I probably could have found some kind of financial success, however mediocre. But as I bounced around from idea to idea, I felt constantly like I was drowning, everyone else swimming past with their successful hustles. I was stuck, unable to choose which stroke to employ, and so choosing none and all.
I spent years trying to hack my productivity. Trying to do more in less time. Hustling. All I had to show for it was a few bouts with depression and a very minimal bit of progress in my creative efforts.
It’s just not for me. Sometimes, I’d realize it and step away from a week, maybe two. Then the secret rules would kick in: if I didn’t work harder, if I didn’t hustle, how would I achieve my goals? And so that fear of failure always pulled me back in.
The thing that kept pulling me back was my vision of the endgame: my ideal life. Following the example of Taylor Pearson I even wrote it up like a screenplay. It gave me something to visualize, an end goal to strive for. I read through it and visualized it every morning to keep up the motivation for the hustle.
I did it this morning, too.
And finally, I realized: why don’t I just live this life now?
Of course, that thinking might be harder depending on what your perfect day looks like, but for me, my perfect day isn’t complicated. It isn’t waking up on the beach every day and drinking champagne in my private jet on the way to lunch in Paris. That would be a great day, of course, but it’s not what matters to me in the long run.
My perfect day is waking up on my own time, having a slow breakfast, a cup of tea, and spending the morning with my wife. It’s going to work on a project motivated by passion, not money. It’s sitting in the park with a book and reading until my wife is finished with the job she loves, then spending the evening together. It’s hearing from my kids, happy in their own lives, and winding down with a delicious dinner, a relaxing evening, and a cozy bed.
Perhaps you see the obvious question already. The hindsight question. The question so obvious it took me years to see it.
“Why don’t I live like this now?”
There’s a secret rule in my head that says anything I do has to be for money, because time itself is money, and I need to earn all the money I can now so I can retire, maybe early, but at least not late.
Then, and only then, can I live the life I truly dream of.
But why? Why didn’t I have a slow cup of tea this morning? Why didn’t I check in with the kids more now, while they’re still living at home? Why didn’t I sit in the park and read?
If I live my life looking at the endgame, working hard to get to a certain lifestyle when I’m in my sixties, what about the years I’ve spent to get there?
What a waste of life.
Step away from the hustle.
Let life be the journey and the goal.
Today, I’m not going to chase my five-year plan. I’m not going to streamline my productivity or find a new side hustle.
I’m going to make a cup of tea and grab a good book.